Showing posts with label Don Cheadle. Show all posts
Showing posts with label Don Cheadle. Show all posts

Saturday, May 8, 2010

Iron Man 2 soars - Just not quite as high as the first.

The original Iron Man came out of left field (not to mention successfully reviving Robert Downey Jr.'s career single handedly) to be one of the best films of the 2008 summer season.  A great story, wonderful cast, excellent villain, and tremendous pacing all came together for a roller coaster thrill ride to start the 2008 summer season right.  Has the sequel followed the likes of X2, Spider-Man 2, and The Dark Knight to turn out even better than the original?  Not quite.  But don't think that the movie is the next Spider-Man 3 or Superman 3 because it certainly isn't.  Jon Favreau has returned to the director's chair to put together the next exciting chapter in Tony Stark's life, and has continued to build on Marvel Comic's greater ambitions for the eventual Avenger's movie (which is probably going to have the longest list of Hollywood superstars ever put into the opening credits of a film.)


SMALL SPOILER ALERT


Let's get the pros out of the way before taking a look at the cons shall we?  Jon Favreau has an impeccable cast and gives just about every single one of them plenty of screen time to display the characteristics and traits that they each bring to the table.  There couldn't be a better choice for Tony Stark than Robert Downey Jr., constantly riffing on others around him, a bit of a womanizer, excellent comedic timing, and great when the drama calls for it, he simply is Stark.  A man who walks a fine line that balances playboy lifestyle, responsible businessman, peace bringing superhero, and an individual who is struggling to come to terms with the legacies left behind by his equally brilliant father.  Don Cheadle takes up the role of Lt. Col. James Rhodes after Terrence Howard was unceremoniously removed from the cast after the original.  I've always liked Terrence Howard and don't really know why he was booted from the project but Cheadle is a great replacement and does seem to fit the part a little better.  Mickey Rourke commands just about every scene that he's in as the vengeful Ivan Vanko, a known method actor you'd have to look pretty hard to somehow find evidence that he isn't a russian ex-con who's spent a lot of years doing some hard time.  Sam Rockwell is a welcome new element in the mix of Tony Stark's world and plays the part of a scheming rival really, really well.  He's sleazy, slick, smart, well spoken, and an entrepreneur looking to fill a void.  He's fun to watch on screen from top to bottom, I think he's an underrated actor who has done some really great work.  Samuel Jackson and Clark Gregg return as agents of S.H.I.E.L.D. and, thankfully, each of them get a little more screen time than the original.  Jackson is hysterical as a man trying to get a narcissistic superhero under control.  Gwyneth Paltrow returns as the able-bodied assistant Pepper Potts, lovely as ever and her rapport with Downey Jr. is as strong here as the original.  Lastly on scene is Scarlett Johansson in a role that, while fun, isn't quite given the screen time it feels like it should have been.  Not at all like the tacked on Venom in Spider-Man 3 who was an add that Sam Raimi didn't want to put in the movie, she fits just fine, and is worked into the plot but just feels under utilized which is a shame.  Hopefully we see more of her in the IM3.


The plot is strong for the most part, and picks up fairly quickly after the events of the first movie.  Stark is dealing with issues on a lot of angles from confronting the American Military industrial machine, to ghosts of his father's past business practices, the fallout of revealing to the world that he is Iron Man, and dealing with the realities of the fact that, at the end of the day, he's just one man in a suit, his abilities and health are all impacted or supported accordingly.  I think one thing that both the original and now the sequel do well is make one think about the realities of weaponry in our world today.  War as a business continues to be a running theme and, even though Stark is out of the business, it shows that there will always be others looking to take up the mantle and continue to evolve it.  That's a scary prospect, and not necessarily a fictitious one.  One of the best elements of the first movie was the humor, Tony Stark constantly cracking jokes at inappropriate times and things like that, and thankfully Favreau and his screenwriters have expanded on that in nearly every area of the film.  There's a lot of laughs to be had and almost none of them feel forced.  A particular sequence in the middle of the film might get a bit hokey, but it's easily looked over for all the other successful humor.  The action sequences are fast paced and intense.  It's obvious that Favreau is getting more and more comfortable with big sequences that involve a lot of elements and characters.  While being chaotic and busy, I still feel the sequences were easy to follow from an audience standpoint.  While the good guys and bad guys look somewhat similar in the movie, it's easy to tell who's who and what's going on at all times (unlike some other movies of late...ahem....Transformers 2....)


After saying all this you're wondering where I find fault with the movie and why I wouldn't say it's quite as good as the original.  Here's why.  I don't feel that the villains found here are quite as villainous as Jeff Bridges' Obadiah Stane in the original.  They're bad guys, no doubt, but I don't feel that either of them get to really explore how bad they might actually be.  Maybe we'll see them in a future film?  I'm sure at least one of them will be around for a few more sequels.  I also felt the story was a little unfocused, or maybe too big in scope?  There was a lot going on with a lot of individuals working towards different goals and, consequently, it felt that some ideas were a little half-baked.  It's a shame because all of the threads are pretty compelling, so to see some of them get shorted is kind of sad.  Without getting into spoilers I think those are my major qualms.


One final note is that I absolutely loved the casting of Garry Shandling as a smarmy US Senator.  I've never been a fan of his, but this bit of casting was inspired brilliance.  He was fantastic in the few scenes that he was in.


Be sure you sit through the credits for the final scene at the end.  It's a brief one, but important as Marvel continues to build towards The Avenger's movie.

Tuesday, March 23, 2010

Brooklyn's Finest - This ain't New Jack City

If I were to say to you I’ve got a cop drama starring Richard Gere, Don Cheadle, Ethan Hawke, and Wesley Snipes that takes place in Brooklyn and is directed by the guy who did Training Day you’d probably think I had a pretty good movie for you to watch, right? On those merits alone it should be a solid, if not necessarily stellar, movie. It’s a good cast, in a great setting, and it’s dealing with the same type of world that Training Day took place in, and that was a great movie that won Denzel an Oscar. Sounds good, right? Unfortunately Antonine Fuqua’s latest directorial effort is another in a series of passable at best feature films.

Cribbing just a little bit from better films like Crash and Traffic, Finest follows three different and seemingly separate plotlines that center around men in or tied to the Brooklyn Police force. The problem with Finest is that, unlike Crash or Traffic, the varying plots never tie together in any sort of satisfactory or revelatory way. There is a passing attempt at having the main characters interact, but it literally comes down to something like Richard Gere bumping into Don Cheadle on his way out of a convenience store. That’s it. That’s all the intertwining we get from an audience standpoint, and that’s pretty meager.

Beyond the complete lack of interconnectivity, none of the characters in the movie have any redeeming features to speak of. There is little to no effort put into making the audience care about anyone they see on screen. Consequently, when things start to go south for everyone, we as the audience don’t particularly care. Is it a shame that Ethan Hawke has a pregnant wife and three kids at home living in a house that has a toxic mold problem? Sure it is, but we barely see those characters, and he’s such a shady character that when things start to go sour we can’t really feel for him. Is it unfortunate that Don Cheadle is going through an apparently messy divorce? Yep, but again, we never see her character and he’s not exactly the most savory of guys so why do we care about it? Why does the nature of his divorce get any screen time at all? We don’t even know why he’s getting divorced. I guess we could assume that his commitment to the job has led to the divorce, but it’s never even given lip service. He could just say, “Hey you know this job already cost me my marriage!” and then we’d at least have that much backstory but no, it doesn’t happen.

To be honest, the necessity of Wesley Snipes’s character is almost a complete mystery. I guess we are supposed to assume that he is a complete bad guy street hustling gang banger, but we never see any of that in the movie so why is he in there at all? Why make allusions to him being such a badass if you’re never going to make good on them? What’s the point? Furthermore there is no consistency whatsoever with his character. One moment he’s making a choice that would have you believe he’s turned over a new leaf and has renounced his (alluded to) violent past, and the next he’s moving full steam ahead with a big drug buy. For a guy not wanting to risk breaking his parole how does buying 10 bricks of pure heroin fit into that picture exactly? There are instances like these shot through the whole movie, characters make appearances or statements that have little or no bearing on the story being told. They just take up screen time, while at the same time I felt like some of the crucial backstory and exposition might have been left on the editing room floor. I’d be curious to see what the Director’s Cut of the flick will look like, but I don’t think I’m willing to subject myself to it again.

One thing I will give the movie credit for, it does a good job at painting the world that these men live and work in. It’s a dark, mean, gross place and these men have been beaten down by the continual onslaught of despair that’s present in their everyday existence. Richard Gere is just a guy who’s trying to make it to his retirement, and you feel for him at points. But in “just trying to make it to retirement” his character makes some pretty cowardly choices for 90% of the movie, so once again he doesn’t engender much good will. (Never mind the plots of the 2 rookies he gets paired with who vanish from the screen about 5 minutes after they make their entrance, never to be heard from again....)

The movie basically comes down to a scattershot mess of a plot. You can’t care about the characters since none of them is a decent person to begin with, and the plot meanders from point to point without building any real tension. Give this one a pass. Stay home and rent Training Day and New Jack City instead.